In 1961, he became the chief design officer at Braun, a position he retained until 1995.[2]. Rams fue una figura clave en el renacimiento del diseño funcionalista alemán (la Gute form) de finales de la década de 1950s y 1960s. Dieter Rams was born in Wiesbaden, Germany, in 1932. Rams and his staff designed many memorable products for Braun including the famous SK-4 record player and the high-quality 'D'-series (D45, D46) of 35mm film slide projectors. [2] Accordingly, he asked himself the question: "Is my design good design?" Between November 2009 and March 2010 it appeared at the Design Museum in London. Dieter Rams (Wiesbaden, 20 maggio 1932) è un designer tedesco. In his first year at Braun, a 23-year-old Dieter Rams presented a sketch of his proposals for the new interiors at the company. [8][9], Less and More is an exhibition of Rams' landmark designs for Braun and Vitsœ. He continues to work with Vitsœ to this day. Dieter Rams’s work has been widely exhibited worldwide via both touring and permanent exhibitions. Dieter Rams (born 20 May 1932 in Wiesbaden, Hessen) is a German industrial designer and retired academic[1] closely associated with the consumer products company Braun, the furniture company Vitsœ, and the functionalist school of industrial design. He was strongly influenced by the presence of his grandfather who was a carpenter. His unobtrusive approach and belief in "Less, but better" design generated a timeless quality in his products and have influenced the design of many products, which also secured Rams worldwide recognition and appreciation. [3], Rams introduced the idea of sustainable development and of obsolescence being a crime in design in the 1970s. È anche noto per aver progettato la 606 Universal Shelving System prodotta da Vitsœ nel 1960. This page was last edited on 13 September 2020, at 13:08. Dieter Rams al 50º anniversario della Braun, Boston (Massachusetts) 2005. Questa pagina è stata modificata per l'ultima volta il 13 mar 2020 alle 15:38. The iOS 7 world clock app closely mirrors Braun's clock (and watch) design down to the font and layout used. Prompted by an eagle-eyed friend, Rams applied for a job at the German electrical products company, Braun, in 1955. In addition to being a successor to the Bauhaus, Rams eventually became a protégé of the Ulm School of Design in Ulm, Germany. A year later the wall-mounted 606 Universal Shelving System was launched. He was strongly influenced by the presence of his grandfather who was a carpenter. Rams studiò architettura presso il Werkkunstschule Wiesbaden e al tempo stesso imparava l'arte della carpenteria dal padre, tra il 1943 e il 1957. Rams has been involved in design for seven decades, and has received many honorary appellations throughout his career. Dieter Rams began his studies in architecture and interior decoration at Wiesbaden School of Art in 1947, now part of the RheinMain University of Applied Sciences. Rams’s early awards for carpentry led to him training as an architect as Germany was rebuilt in the early 1950s. Biografia. Biografia. Rams studiò architettura presso il Werkkunstschule Wiesbaden e al tempo stesso imparava l'arte della carpenteria dal padre, tra il 1943 e il 1957. Prompted by an eagle-eyed friend, Rams applied for a job at the German electrical products company, Braun, in 1955. He returned to the Wiesbaden School of Art in 1948 and graduated in architecture with honours in 1953, after which he began working for Frankfurt-based architect Otto Apel. È evidente l'influenza del design di Rams nei lavori di Jonathan Ive, designer per Apple, in prodotti come l'iMac, l'iPod, e l'iPhone[1]. Dieter Rams continua ad essere una figura di riferimento nel mondo del design; di recente ha disegnato una copertina per Wallpaper. Molti dei suoi prodotti - macchine per il caffè, calcolatrici, radio, attrezzature audiovisive, prodotti da ufficio - sono oggi esposti in molti musei di tutto il mondo, tra cui il MoMA di New York. He was strongly influenced by the presence of his grandfather who was a carpenter. Some of the funds raised in the Kickstarter campaign also helped to preserve Rams' design archive in cooperation with the Dieter and Ingeborg Rams Foundation. As head of design at Braun, the German consumer electronics manufacturer, Dieter Rams (1932-) emerged as one of the most influential industrial designers of the late 20th century by defining an elegant, legible, yet rigorous visual language for its products. According to him, "good design":[4][5]. In Gary Hustwit's 2009 documentary film Objectified, Rams states that Apple Inc. is one of the few companies designing products according to his principles. Receiver (Steuergerät) Braun Regie 510, 1972, Learn how and when to remove these template messages, Learn how and when to remove this template message, "SFMOMA Presents Less and More: The Design Ethos of Dieter Rams", "The power of good design: Dieter Rams's ideology, engrained within Vitsœ", "The Future Of Apple Is In 1960s Braun: 1960s Braun Products Hold the Secrets to Apple's Future", "Less and More: the design ethos of Dieter Rams in Japan", "Less and More – The Design Ethos of Dieter Rams", "Less and More – Das Designethos von Dieter Rams (requires Flash)", "RAMS: The First Feature Documentary About Dieter Rams", London's Design Museum page on Dieter Rams, https://en.wikipedia.org/w/index.php?title=Dieter_Rams&oldid=978192957, Commanders Crosses of the Order of Merit of the Federal Republic of Germany, BLP articles lacking sources from November 2013, Wikipedia introduction cleanup from October 2013, Articles covered by WikiProject Wikify from October 2013, All articles covered by WikiProject Wikify, Articles with multiple maintenance issues, Wikipedia articles needing clarification from November 2017, Wikipedia articles with KULTURNAV identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat identifiers, Creative Commons Attribution-ShareAlike License, 1960: Received Kulturkreis im Bundesverband der Deutschen Industrie scholarship award, 1961: TP1 portable record player and radio received Supreme Award at Interplas exhibition, London, 1963: F21 received ‘Supreme Award’ at Interplas exhibition, London, 1968: Awarded ‘Honorary Royal Designer for Industry’ of the, 1969: 620 chair awarded gold medal at the International Furniture Exhibition in Vienna, 1978: Awarded SIAD Medal of the Society of Industrial Artists and Designers, UK, 1985: Awarded Académico de Honor Extranjero by the Academia Mexicana de Diseño, Mexico, 1989: First recipient of the Industrie Forum Design Hannover, Germany, for special contribution to design, 1992: Received Ikea prize and uses prize money for his own Dieter and Ingeborg Rams Foundation for the promotion of design, 1996: Received World Design Medal from the, 2002: Awarded Verdienstkreuz des Verdienstordens der Bundesrepublik Deutschland (Commander's Cross of the Order of Merit of the Federal Republic of Germany), 2003: Received Design Award ONDI, Havana, Cuba for his special contribution to industrial design and world culture, 2007: Awarded Design Prize of the Federal republic of Germany for his life’s work, 2007: Received Lucky Strike Designer Award from the. Braun’s spontaneous answer was “Yes. On the back wall of the boldly modern scheme can be seen the very first notion of a track-based, wall-mounted storage system. 2010: Kölner Klopfer prize awarded by the students of the, 2013: Awarded Lifetime Achievement Medal at. **Formative Years** Dieter Rams was born in Wiesbaden, Germany, in 1932. Klemp, Klaus and Ueki-Polet, Keiko (2011). In 1959, Dieter Rams asked Erwin Braun if he could design furniture for Niels Vitsœ and Otto Zapf. Rams’s early awards for carpentry led to him training as an architect as Germany was rebuilt in the early 1950s. É um dos mais influentes designers do século XX. Dieter Rams was born in Wiesbaden, Germany, in 1932. In 1955, he was recruited to Braun as an architect and an interior designer. It was titled ‘Design by Vitsœ’ and in it he asserted his commitment to responsible design. Rams spiegò così il suo approccio al design: "Weniger, aber besser" (traducibile liberamente come "Meno, ma meglio"). Download Dieter Rams: Design by Vitsœ (.pdf, 58KB), Living better, with less, that lasts longer. Assieme allo staff della Braun realizzò numerosi prodotti memorabili, tra cui il celebre giradischi SK-4 e il proiettore 'D'-series. Ad esempio l'applicazione calcolatrice di iOS 6 è basata sullo stile della Braun ET66 disegnata da Rams.[2][3][4]. 2009: Awarded the great design prize in Australia. By producing electronic gadgets that were remarkable in their austere aesthetic and user friendliness, Rams made Braun a household name in the 1950s. The answer he formed became the basis for his celebrated ten principles. Prompted by an eagle-eyed friend, Rams applied for a job at the German electrical products company, Braun, in 1955. The dual career of Dieter Rams continued until his retirement from Braun in 1997. He is also known for designing a furniture collection for Vitsœ in the 1960s including the 606 universal shelving system and 620 chair programme. It will help the market for our radios.”. He quickly became involved in product design – famously adding the clear perspex lid to the SK4 phonogram in 1956 – and was appointed head of design at Braun from 1961 to 1995. He drew attention to an “increasing and irreversible shortage of natural resources”. Ever since, Rams has been an outspoken voice calling for “an end to the era of wastefulness” and to consider how we can continue to live on a planet with finite resources if we simply throw everything away. Dopo aver lavorato per l'architetto Otto Apel, dal 1953 al 1955, entrò a far parte di un'azienda che produceva articoli elettronici, la Braun, della quale diventò direttore del dipartimento di design nel 1961, posizione che mantenne fino al 1995. A year later, in 1948, he took a break from studying to gain practical experience and finish his carpentry apprenticeship. [16] The film is currently screening at special events worldwide and is now available to order on digital and disc,[17] and is available for paid streaming on Vimeo. Dieter Rams was born in Wiesbaden, Germany, in 1932. It first traveled to Japan in 2008 and 2009,[10] appearing at the Suntory Museum in Osaka and the Fuchu Art Museum in Tokyo. Dieter Rams (20 de Maio de 1932, Wiesbaden) é um designer industrial alemão intimamente ligado à empresa Braun. Dieter Rams Fue un diseñador industrial alemán, cercanamente asociado a la compañía de productos de consumo Braun. Dieter Rams was strongly influenced by the presence of his grandfather, a carpenter. Rams became a protégé of the Ulm School of Design (successor to the Bauhaus) luminaries Hans Gugelot, Fritz Eichler and Otl Aicher. The full-length documentary features in-depth conversations with Rams about his design philosophy, the process behind some of his most iconic designs, his inspiration and his regrets. [13][14] The exhibit then appeared at the San Francisco Museum of Modern Art from August 2011 to February 2012.[15]. “I imagine our current situation will cause future generations to shudder at the thoughtlessness in the way in which we today fill our homes, our cities and our landscape with a chaos of assorted junk.”. He and his wife have established the Dieter and Ingeborg Rams Foundation to promote the views they hold so dear and to encourage all of us to live more serene and meaningful lives. È autore delle 10 regole per un buon design. Together with his design team, he was responsible for many of the seminal domestic electrical products – and some furniture – of the 20th century. In 1976 Rams delivered a frank and prescient speech in New York. [11][12] It appeared at the Museum für Angewandte Kunst in Frankfurt from July to September 2010. Rams’s early awards for carpentry led to him training as an architect as Germany was rebuilt in the early 1950s. Dieter Rams (born 20 May 1932 in Wiesbaden, Hessen) is a German industrial designer and retired academic closely associated with the consumer products company Braun, the furniture company Vitsœ, and the functionalist school of industrial design. He remains convinced that the very best design can only be achieved from design teams within companies. He was recruited by Erwin and Artur Braun following the death of their father and his job was to modernise the interiors of the company that was launching revolutionary electrical products. On June 22, 2016 filmmaker Gary Hustwit announced his documentary Rams and launched a Kickstarter campaign for the project. The Future Of Apple Is In 1960s Braun: 1960s Braun Products Hold the Secrets to Apple's Future, iPhone Calculator and BRAUN ET66 Similarities, https://it.wikipedia.org/w/index.php?title=Dieter_Rams&oldid=111427394, Template Webarchive - collegamenti all'Internet Archive, Voci biografiche con codici di controllo di autorità, licenza Creative Commons Attribuzione-Condividi allo stesso modo. [6] Notable awards and accomplishments include: The appearance of the calculator application included in Apple's iOS 3 mimics the appearance of the 1987 Braun ET 66 calculator[7] designed by Rams and Dietrich Lubs, and the appearance of the playing screen in Apple's own Podcast app used to mimic the appearance of the Braun TG 60 reel-to-reel tape recorder currently, before a later redesign of the app removed it. Rams once explained his design approach in the phrase "Weniger, aber besser" which translates as "Less, but better". Cuando se convierte finalmente en el jefe del equipo de diseño de Braun, Rams influyó enormemente en la dirección estilística de… Dieter Rams (Wiesbaden, 20 maggio 1932) è un designer tedesco. 1947-53, Rams estudou arquitetura na Escola de Wiesbaden e fez cursos de carpintaria. Rams studiò architettura presso il Werkkunstschule Wiesbaden e al tempo stesso imparava l'arte della carpenteria dal padre, tra il 1943 e il 1957. Believing that good design can only come from an understanding of people, Rams asked designers – indeed, everyone – to take more responsibility for the state of the world around them. Dieter Rams’s 1971 house has been protected for future generations.
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