Stages Artistic Director Kenn McLaughlin decided to produce My Mañana Comes over 18 months ago.
In other words, he views reporting his so-called friends to be his only option at survival. That President Donald Trump has enacted controversial executive orders in the lead-up to My Mañana Comes’ opening just goes to show that sometimes theater programming gets a stroke of luck.
Since the turn of the century, the theater has remained committed to telling stories by, for, and with Latinas/os. Immigrants and the children of immigrants skipped work, didn’t go shopping, didn’t buy gas, didn’t eat at restaurants, or send their children to school.
Trevor Boffone is an educator, theatre scholar, and founder of the 50 Playwrights Project: A Digital Space for Latin@ Theatre. “A Day Without Immigrants” was a movement responding to President Donald Trump’s policies on immigration, principally his plans to build a wall on the U.S./Mexico border as well as his executive order banning travel from seven countries that happen to be majority-Muslim.
At that point, it would have been impossible to imagine the nation’s sociopolitical climate in 2017. By and large, I found the story to be a powerful way to shed light on a sector of the population that I had seldom seen represented in theater. While a community center, MECA consistently fills gaps by presenting tours of Latina/o solo shows such as Virginia Grise’s Your Healing Is Killing Me and Cris Franco’s ‘57 Chevy staring Ric Salinas in 2016. Cuando hay mal tiempo en el invierno, las escuelas pueden cerrar o comenzar tarde y los autobuses pueden cambiar a las rutas de nieve.
Gabriel Regojo and Brandon Morgan in My Mañana Comes. ¡El clima invernal esta por llegar! Coupled with Trump’s racist and xenophobic language toward immigrants and people of color and the recent ICE deportation raids, the lived realities for these peoples have become more difficult. The city’s Latina/o residents comprise roughly 41 percent of the population.
Aside from the quality of the production, what struck me the most was the timeliness of the piece.
In this time frame, Stages has produced such titles as Blood Wedding (in both English and Spanish), The Whipping Man, The Elaborate Entrance of Chad Deity, and most recently My Mañana Comes. Hi/Low, RealFeel®, precip, radar, & everything you need to be ready for the day, commute, and weekend! Special wind and weather forecasts for windsurfing, kitesurfing and other wind related sports.
My Mañana Comes opened on Feb. 17, 2017, the day after the national “A Day Without Immigrants” protest.
The central premise of the protest was to make people realize how much they rely on the country’s immigrant population. Even so, I now shift to the present and question what happens when theatre becomes timely and responds to social and political issues affecting our nation. While watching the show, it was impossible to not consider how my actions are implicated in the systems that exploit people just like the characters in the play. “What did your busboy look like?” She added that busboys are the invisible workers in the restaurant industry. Información relevante para todos los hondureños en Texas
As the nation’s fourth largest city, Houston is home to more than 2.1 million people (over 5 million in the metro area).
Windguru weather forecast for Argentina - Buenos Aires. At the show’s climax (spoiler alert), the head busboy Peter, an African-American U.S. citizen, calls 911, reporting a false theft in an attempt to deport two of his undocumented co-workers.
As of 2015, about 25% of Harris Country residents were immigrants. This show is gritty and ugly, but necessary in such a way as to spark a conversation, questioning who actually has access to the American Dream. As Matthew Clinton Sekellick writers in a recent essay on HowlRound, “We must understand that theater is always political, whether implicitly or explicitly, and that what narratives we choose to promote is a political decision about whose stories deserve telling and get resources.”. Unfortunately, the answer isn’t always what we want to hear. While watching the show, it was impossible to set aside the tumultuous political climate from the action transpiring on stage.
This makes the work at Stages Repertory Theatre all the more noteworthy. In regard to theater, Latina/o stories are even fewer and far between. Since I became aware of Irwin’s play, I’ve frequently heard divisive opinions about the show from within the national Latina/o theater community. Brandon Morgan, Dayne Lathrop, Gabriel Regojo and Juan Sebastian Cruz. This makes producing theater that speaks to the current reality of Houston so important. Why now?
As the busboys rush in and out of the kitchen and tell stories about different restaurant diners, it’s nearly impossible to not consider how restaurant workers might view us.
For this reason, businesses across the country closed on Feb. 16.
Why this play? While watching the show, it was impossible to set aside the tumultuous political climate from the action transpiring on stage. Consulado General de Honduras en Houston, Houston, Texas. Under the direction of Leslie Swackhamer, the play excels in many ways, but I am most interested in exploring how the play responds to current events. And in 2017, Latinas/os and undocumented peoples not only should be represented on stage, but also must be given a seat at the table. Now more than ever, theater companies must ask themselves why. The Alley hasn’t produced a Latina/o story since The Clean House by Sarah Ruhl in 2007 and hasn’t produced a play penned by a Latina/o since Culture Clash in America in 2006. Put simply, Houston wouldn’t run without immigrants.
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